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Showing posts with label Software Music. Show all posts
Showing posts with label Software Music. Show all posts

Thursday, August 7, 2014

Virtual DJ Pro 8.00.1897 (Patch-MPT)




This version is a significant milestone in the history of VirtualDJ. Unlike the transition to v7 from v6, or to v6 from v5 etc, where we just added new significant features (like video support, 99 decks, ContentUnlimited, etc), for the v8 transition, we rewrote our software from the ground up. VirtualDJ was first started in 1996, and in the following 15 years, we kept adding more and more features, to keep pushing the limit of how technology can help you mix better. But, 15 years of layers upon layers of new code, can get quite messy, and our development speed was slowing down. That's why we spent the last 3 years to rewriting everything clean and fresh, so that for the next 20 years, new breakthrough features will keep coming at lightning speed, update after update. 

But of course, version 8 is not just a clone of version 7 with a fresh engine. It also brings its share of new features and novelty. Here is a quick guide to the main new features, intended for people who are already experienced with version 7: 

SANDBOX
One new exclusive feature of VirtualDJ 8, is the new "sandbox" concept. Sandbox is a feature that helps you prepare your next mix while the audience is still listening to the previous song. When sandbox is engaged, you can jump to the end of the current track, and try to mix into the next track, hearing it only in your headphones, until you find the perfect exit-point and entry-point where you'll want to mix. You can then disengage sandbox, and calmly wait for your current track to reach the point where you're now confident you should start your mix. 

SAMPLER

The new sampler in v8 has shed all the limitations of the old v7 sampler. It can now play an unlimited number of samples simultaneously. Samples can be audio, video, or still images. Video samples can have alpha transparency. Samples can be organized by group and triggered like an instrument bank. Slots can be arranged on a grid, and have colors and icons. 

The sampler is now accessed through the sideView, where you can select any bank and drag'n'drop samples directly onto the slots. The sample files themselves are found in the sampler folder in the browser. Note that you can also play any sample directly from the sampler folder, meaning that you could play as many samples as you want simultaneously, and you don't "have" to use the grid if you're more comfortable triggering samples from the list. The sampler also has a special bank called "remix mode", which transforms your sampler into smart cue-pads. VirtualDJ will automatically detect and fill the remix points with the breaks in your song, but you can edit your own remix points of course. 

When you record a new sample, using either the rec button on the advanced loop panel, or the mic or master rec button on the master mixer panel, VirtualDJ will store the newly created sample in the "Recordings" folder, and highlight it, so you can choose whether you want to drop it on a deck and start scratching it (if you just recorded your voice through the mic for example), or drop it on a sampler pad. And of course you can edit any sample with the sample editor. 

SOUND ENGINE
In VirtualDJ 8, all the internal audio components, like pitch-stretching, limiter, equalizers, filters, etc, have been rewritten to harness all the power of modern computers and give you a crystal-clear sound.

The internal sound engine processes everything in high-quality 32-bit audio, but the internal sampleRate can be adjusted in the options. Note that we recommend using 44100 if you play mostly audio files that have been recorded at 44100 (like mp3 files), or 48000 if you play mostly high-def videos that have their audio track at 48000. Setting a higher samplerRate than the files you play will result in a lower quality of sound, not a higher one. 

BROWSER

The browser in VirtualDJ 8 as many improvments in comparison to v7 version.

SIDE VIEW: The browser now has three zones: the folders, the file view, and the "side view". The side view can display and easily switch between various useful folders or special lists. Among the special lists are the automix list, the karaoke list, a scratch-pad called "side list" (you can still also have the old horizontal side-list if you're nostalgic, it's in the advanced options), and the sampler trigger-pad. But you can also drag and drop any folder to the sideview to stick it there. You can even create shortcut buttons for various folders, so you can easily navigate between them with one click. 

VIRTUAL FOLDERS: Virtual/favorite/filter folders in version 8 can now be children of any other folder. For example, you could have your folder D:\Music\Rock, and inside, create a virtual folder "Top" where you put links to the top songs. You can also make filter folders children of other folders, and the filter will be applied to the content of the parent folder. 

FILTER GROUPS: The filter folders can now have a filter such as "group by genre" for example. This would create a filter folder that has as children folders all the available genres (from the database if this folder is at the root, or from the parent folder otherwise). 

EFFECTS

The effect page is now no longer a "replacement" of the browser, but is instead a panel, same as the playlist. effects config window will open small windows inside this panel. These effect config can also be undocked and become floating windows that can be moved around. Effect selection is now done through the effect button on the skin on each deck. The effect list window can also be unpinned, in order to become a floating window that can allow easy instant access to several effects. To access the config window of an effect, hover your mouse on the effect in the list, and click on the small gear icon. 

Also, note that in version 8, effects can now be applied either to a specific deck, or to the master output. Go to the "master" panel in the center window to select master effects. 

EDITORS

Another big novelty in VirtualDJ 8, is the plethora of built-in editors. 

AUTOMIX EDITOR: The AutoMix editor allows you to pre-edit your automix sequence, in order to fine-tune the mix-in and mix-out points, the type of transition, and if you're mixing videos, select the video transition to be used for each mix. When you manually tune the mix between two songs, VirtualDJ will remember and use your preferred settings the next time the automix engine mixes these exact two songs together. 

TRACK CLEANER: This editor lets you easily create "edits" of your tracks. You can remove any offensive lyrics by "inverting" them, you can cut out long intros or irrelevant speech, or loop a section to extend your track. 

VIDEO EDITOR: The video editor has 2 main uses: It can be used to edit an existing video, by adding some text effects on the parts that you usually scratch, or on relevant lyrics. Or, it can be used to add a full new video track to an existing audio-only song, using video parts from other video files. It can also be used to create a video track for a remixed version by using parts from the video track of the original version. 

SAMPLE EDITOR: To harness the power of the new sampler in version 8, the sample editor lets you adjust most of the options on your audio, video, or still-image samples. Your samples can now be audio, video or both (or still images), and you can easily adjust the transparency of video samples, crop the audio clips, and create sample groups with specific trigger modes. 

POI EDITOR: All the cue points, saved loops, automix points, beatgrid anchors, macro points, etc..., are now called POI (for Point Of Interest) in VirtualDJ 8. The POI editor lets you organize and manage all these points for each of your tracks. 

BPM EDITOR: The new BPM editor let you easily and conveniently adjust the beatgrid of your songs. It can even let you specify a different bpm for different parts inside the same song. 

TAG EDITOR: The tag editor has been much improved in version 8 compared to the one from version 7. It can batch edit a lot of tracks together, can save the tags back to the files, and is compatible with a broad range of file formats and tags. 

OTHER
OPTIONS: Most common options are easily accessible from the option page in the config window, but if you check "show advanced" you will see the full list of all possible options. (no need for Registry Tweaks anymore). 

AUDIO CONFIG: The new audio config panel is now an a hybrid between the "simple" and "advanced" panels from VirtualDJ 7. The big buttons let you quickly access most common configurations, while the list below let you see how the configuration is actually implemented, and tweak it if need be. 

CONTROLLERS: Controllers can now have multiple mappers created, and you can easily switch between one or the other. By default, all controllers have the "factory default" mapper. As soon as you try to edit this factory default mapping, VirtualDJ 8 will create a "custom mapper" for this controller, fill it with a copy of the factory default, and save it in the Mapper/ folder like usual. You will then be editing the custom mapper. 

CUSTOM BUTTONS: The default skin has on each deck a set of empty "custom buttons", and "custom knobs". These empty buttons are intended to be filled up by each user according to what they find missing in the default skin. 

SKIN RESIZE: In VirtualDJ 8, the skins are automatically stretched, without any performance hit, so there is no reason to keep making many resolutions of the same skin. The stretch is done in such a way that the aspect ratio is kept (so that round turntables will stay round). To achieve that, the browser part is automatically made bigger/smaller. 

CURRENT CUE: There is a special POI, the current CUE, that is not editable from the editor. This special CUE is the position used by the STOP and CUE buttons, and will be remembered from one session to the next. But it's overwritten automatically each time you select a new hotcue or POI. 

COLOR WAVEFORMS: VirtualDJ 8 has two modes for the color waveforms (accessible in the options). Either a full-color with red for bass, green for mediums and blue for high, or a 2-color mode which makes it easier to differentiate each deck, but still easily see the bass, medium and high. 

BROADCAST: VirtualDJ 8 direct broadcasting now requires that you are logged in to our website, but rather than providing an IP address for others to connect to, it automatically generates a webpage on virtualdj.com where your friend can listen to your broadcast. This page will have an embedded html5 player and links for itunes/winamp/wmp etc streaming. VirtualDJ 8 also offers to create and maintain podcasts for you, with tools on website to help you publish your mix to itunes etc. 

MINIMUM REQUIREMENTS: Windows XP 
RECOMMENDED: Windows 7 or Window 8.1

Languages : English, Chinese, Arabic, Italian, German, Dutch, French, Greek, Japanese, Russian, Portuguese.

Homepage : http://www.virtualdj.com/products/virtualdj/index.html



Please Read Before Download






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Thursday, July 31, 2014

Guitar Pro 6 + SoundBanks + Crack





Anyway this is a working version of Guitar pro 6 (pirated ofcourse).Since i've seen none working so far i decided to upload this.

Works for XP, Vista, 7 and for online and offline users.

Description and installation method is in the torrent.

Soundbanks are optional.Its not essential to run GP6 




Please Read Before Download







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Friday, July 25, 2014

PreSonus Studio One Pro 2.6.3.27792 (Repacked TVB)



WORKFLOW

Faster - Your DAW should not slow down your creative process. Studio One® lets you move at the speed of imagination, with features that anticipate your needs and let you customize to fit your work style.

Easier - Studio One is easy to figure out, easy to get around, and easy to do things in. Intuitive and efficient, Studio One lets you focus on the music, not the technology.

Better - Our programming and design team had a very large hand in creating other well-known DAWs. Having been around for years, they saw how things could be done better if they started from scratch. So they did. The result: Studio One delivers greater elegance, flexibility, and robustness, along with speed and ease of use.

Gets the Job Done - You really want to produce music, not mess around with software, so we designed Studio One to help you get the job done. No matter what phase of production you are in, Studio One is ready for the tasks at hand, with powerful features, smart design, and rich resources.

Sounds Better.
You can hear the difference with Studio One®. It just sounds better. This isn’t some happy accident, though: Studio One has a new 64-bit audio engine, written from the ground up.

Studio One provides truly high-resolution audio, recording at sample rates up to 384 kHz with 32-bit floating point resolution. Studio One Professional can operate its mixer with 64-bit floating-point, double-precision processing. Studio One's audio engine automatically switches to 32-bit mode on the fly for 32-bit plug-ins, and runs in 64-bit mode for 64-bit plug-ins.

These are not simply theoretical advantages; the difference is audible. Our opinions are a little biased, we admit, but we encourage you not to take our word for it. Take a look at what others have to say about the sound of Studio One, how smooth and "analog" it sounds. Most of all, listen for yourself. 

21st Century DAW
Studio One® is the DAW for the 21st century. The software connects directly to the Web so you can share what you've created, sell your finished works, and download what others have done—all from within the program. An RSS feed delivers Studio One-related news and information and alerts you when a new version is available and gives you a link to a download page.

From you to the world (and back).

PreSonus Exchange brings your work to others and theirs to you: swap presets, Soundsets, grooves, macros, and more. You can also download new Studio One Extensions, factory presets, and international language packs. It’s easy: Download from Exchange simply by dragging from the Exchange folder in the Browser into your Song or Project.

With free two-track Capture Duo or affordable 32-track Capture for iPad (both available from the Apple App Store), you can record your tracks on an iPad wherever you roam on Planet Earth, then transfer the tracks wirelessly to Studio One (2.6.3 or later). 

Studio One also lets you share your music on SoundCloud™, the site where musicians go to hear what other musicians are doing. Downloading is similar to Exchange: Drag from the SoundCloud folder in the Browser into your Song or Project. To upload (in Studio One Professional), check a box in the export dialog. That's right, upload directly from Studio One by checking one box. What's not to love about that?

When you are ready to market your finished music, Studio One makes it easy by connecting you to your account on Nimbit®, the leading direct-to-fan musician’s-services site. Once again, just export your work and check a box. Your music can be on sale minutes after you finish exporting the final version. 

State-of-the-art technology.
The engineering team that created Studio One has been developing DAWs for many years. With Studio One, they had the opportunity to create a new DAW from the ground up that would be lean, fast, and take advantage of the latest computer technology.

The result is a highly optimized and streamlined codebase that makes minimal demands on your CPU and is written for multicore processors, so Studio One takes full advantage of the maximum computing power your multiprocessor system can deliver. It also uses 64-bit memory addressing, so when run under a 64-bit operating system (such as Windows 7 and 8 and Mac OS X 10.6 Snow Leopard and later), the software can address as much RAM as your computer can handle.

The practical advantage is that you can have more tracks, more effects plug-ins, more virtual instruments, and speedier processing.

New in version 2.6.3:
-Drag-and-drop audio from an arrangement to third-party plug-ins (requires that the plug-in support this feature)
-Cross-platform support for the CAF (Apple Lossless and LPCM) codec format
-Convert audio part slices to quantize grid via drag-and-drop
-Support for more than five screens

Studio One 2.6.3 fixes the following issues:
- Save bug when instrument track name contains a dot
- Crash when using Mute tool in editor Envelope view
- Septole missing in quantize menu
- [OSX] Crash when switching to default preset on ProEQ
- Odd event selection when using Shift and arrow keys
- Return to start on stop option sends MIDI Clock Start
- Audio Bend not working correctly with files that don't have song sample rate
- Rare crackle in loop playback
- Automation micro adjustments not possible with remote device
- Extension uninstall disables next extension
- Crash when removing plug-in via context menu
- Crash when undoing an instrument transform
- [Win] Melda plug-ins not resizeable
- [Win] Freeze when right-clicking on video view in 64-bit version

System Requirements

-Windows® 7 x64/x86 SP1, Windows 8 x64/x86
-Intel Core Duo or AMD Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
-2 GB RAM (4 GB or more recommended)
-Internet connection (not required on machine where Studio One is installed but needed for activation)
-DVD-ROM drive
-Monitor with 1280x768 resolution
-20 GB hard-drive space

Language : English

Homepage : http://www.presonus.com/products/studio-one/explore



Please Read Before Download







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Tuesday, July 15, 2014

FL Studio Producer Edition 11.1.0 R2 (32-64 bit)+Plugins



Introducing FL Studio 11FL Studio 11 is a complete software music production environment, representing more than 14 years of innovative developments and our commitment to Lifetime Free Updates. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

FL Studio 11 is the fastest way from your brain to your speakers.

What can FL Studio 11 do?
* Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).
* Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links.
* Be hosted in other DAWs as a VST or connected through ReWire.
* Live music performance including video effect visualization.
* Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.
* Multi-track audio recording up to the limit of your audio-interface inputs.
* Record & play MIDI input recording from keyboards, drum pads and controllers.
* Sequencing and arranging with pattern and linear workflow possible.
* Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.

Notable New Features
- Performance mode - Trigger Playlist Clips live using a mouse, touch screen, typing keyboard or MIDI controller. Supports APC20/40, Launchpad, Lemur, Block, Maschine/Mikro, padKONTROL, Traktor Kontrol (and more).
- Multi-touch support - FL Studio and some plugins now respond to Multi-touch with Microsoft gesture functions supported.
- Playlist - 199 Playlist tracks, increased from 99.
- Linking includes MIDI input port - Links now remember the MIDI input port used to avoid conflict between controllers.
- Playlist & Piano roll - Horizontal & vertical movement locking. Shift is horizontal lock & Ctrl is vertical lock when dragging items.
- Piano roll - Glue notes, Mouse wheel velocity, Monophonic step entry mode & Chop chords tool.
- Right-click data entry - Most controls now allow a Right-click option to type in values.
- Plugin Picker - Right-click to open a plugin and its presets in the Browser. Start typing plugin names to highlight entries.
- Mixer - Page Up/Down keyboard keys cycle through the current mixer track's plugin windows.
- Options - Play truncated notes in clips restores notes overlapping slice points in Pattern Clips. Click and hold functions. GUI animation level now selectable from sober to entertaining.

New Plugins
- BassDrum - Deep Kick-Bass percussion synthesizer with sample layering. BassDrum was developed due to strong and loud customer demand for punchy kicks with a big bottom end. Our solution was to take a hybrid synthesis/sample route to provide unlimited customization for the perfect kick sound.
- GMS (Groove Machine Synth) - Multi-timbral hybrid synthesizer & FX channel lifted from Groove Machine. Another plugin by popular demand.
- Effector - 12 performance oriented effects: Distortion, Lo-Fi bit reduction, Flanging, Phasing, Filter (low/high pass), Delay, Reverb, Stereo panning & binaural effect, Gating, Granulizer, Vocal formant and Ring modulation effects. Effector was introduced to compliment Performance Mode and is perfect for use with multi-touch displays & controllers.
- Patcher - Introduced with FL Studio 10 to provide a means of saving and recalling commonly used effects and plugin chains. It's in the new section as, aside from being overhauled with animated connections and a fresh interface, patcher has gained two, of many more to come, Voice Effects (VFX).
- VFX Key Mapper - Allows note inputs, live or from the Piano roll, to be transposed, keychanged, chorded or creatively remapped.
- VFX Color Mapper - Leverages FL Studio's 16 Piano roll note colors that have traditionally mapped to MIDI channels. Now inside Patcher note colors can control 16 independent generators/instruments or groups of generators

Updated Plugins

- FL Flowstone - Flowstone is the successor to the original Synthmaker program. Now including the Ruby high level programming language. Not only can you still create Synths, Effects but also control external hardware with support for USB devices, I/O cards, Wi-Fi, webcams and audio hardware. It's true… connected to the right robot, FL Studio is the first DAW in the world that can now make you a coffee!
- Newtone 2 - Has been completely re-written with a new analysis and pitch engine for more accuracy, while also brushing up the workflow. Shortcuts & mouse actions now harmonize with FL Studio’s Piano roll and Playlist, where possible. Most exciting are the new Vibrato and Warp editors. The Vibrato editor allows users to create vibrato effects from scratch with controls including start/end amount and frequency. The editor even detects existing vibrato and displays this value so users can match the singers natural tendency, if desired. The Warp editor is designed to work with mono or polyphonic material and is perfect for slicing and re-timing/quantizing drum-loops, vocal performances and is great for sounddesign experimentation. Importantly, Newtone 2 is a free update for existing customers.
- Harmor - Rising star of the Electro and Dubstep scene, voted in the top 10 plugins of 2013 by MusicRadar readers, now supports Komplexer WT wavetables & 'Map audio regions to keys' for sampler like functionality and auto-dump to score for Slicex like drum handling. The preset count continues to rise too as patches keep flooding in from the thriving user base.
- ZGameEditor Visualizer - Based on the free open source ZGameEditor that can be used to create 2D & 3D video game style visualization objects for the plugin. ZGE Visualizer can create real-time or rendered HD video effects in automated or automatic sync with FL Studio projects to support live performances or YouTube videos. Under FL Studio 11 the plugin receives a slew of new shadier modules for stunning HD video effects.
- DirectWave - Added multi-timbral mode to the FL native version so you can load and play more than one patch from note colors in the Piano roll. There's also a new live 16 point sincinterpolation mode for lower CPU usage when using DirectWave in multi-timbral mode.

What's new? 11.1.0 (July 14, 2014)

64 bit version of FL Studio and most plugins
- Most plugins updated (bugfixes)
- Image-Line Remote for Android (Google Play) and iOS (iTunes Apps) updated
- MiniSynth free synth is included
- FL Studio Mobile import updated
- Launchpad support updated
- DirectWave import support updated
- Bugfixes as reported since the last version, FL Studio 11.0.4

FL Studio system requirements:* 2Ghz Intel Pentium 4 / AMD Athlon 64 (or later) compatible CPU with full SSE2 support. The faster your CPU and more cores it has the more you will be able to do simultaneously. Download and test the demo!
* 32 or 64 Bit versions of Windows 8, Windows 7, Vista, XP (with service pack 3)
* (or) Intel Mac with Boot Camp / Windows. Running XP (with service pack 3), Vista or Windows 7 (in 32 or 64 Bit)
* 1 Gb or more RAM recommended
* 1 Gb free disk space
* Soundcard with DirectSound drivers. ASIO/ASIO2 compatible required for audio recording (FL Studio installs with generic ASIO4ALL drivers)

Language : English

Homepage : http://www.image-line.com/documents/flstudio.html

EXTRA PLUGINS INCLUDED


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(Size: 794.17MB)




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Avid Sibelius 7.5.0 (Emulator-R2R)


What's new

Sibelius is the world’s best-selling music notation software, trusted by top composers, publishers, and students alike. With Sibelius 7.5, you can express, accelerate, and promote your creativity in more ways than ever before, enabling you to deliver beautiful, professional scores faster and share audio and video versions of your work—with stunningly realistic musical phrasing—to make your talent stand out from the crowd. It’s the fastest, smartest, easiest way to write music for live performance, film and television, media entertainment, or in the classroom.

Introducing Sibelius 7.5

Unrivalled expressiveness and feel - With the unique and fully redesigned Espressivo 2.0 feature, Sibelius 7.5 gives you complete control over and customization of the rhythmic feel of any individual part to produce more expressive and realistic musical phrasings. And because the software can now better interpret such notation distinctions as tempo markings, metric emphasis, grace notes, mordents, caesuras, and breath marks on playback, you can hear every nuance of your score the way you intended it to be heard.

Accelerated navigation - With the new Timeline window, you get a quick view of the entire structure of your score no matter how large or complex enabling you to navigate to any part fast for editing or playback. Simply click on any bar, in the timecode ruler, or on any landmark the important objects that make up your score, including rehearsal marks, repeat structures, comments, key signatures, tempo, and more to jump immediately to that section.

Easy collaboration and sharing - Get all of the score sharing and social media features of Sibelius First in Sibelius 7.5, enabling you to collaborate more easily with others and distribute your compositions for the world to hear. Share scores through email, upload and publish them as sheet music on ScoreExchange.com, and even share your composition as a video or audio file on YouTube, Facebook, and SoundCloud.

Export video of your composition - Save a video file of your score to share your work with others on a DVD or online. Sibelius can export in a variety of resolutions up to 1080p in QuickTime format (.mov) on Mac or Windows Media Video (.wmv) on Windows, enabling others to see and hear your work without requiring Sibelius.

Full Scorch app integration - Export Sibelius scores directly to Avid Scorch on your iPad (available on iTunes) for fully interactive playback, practice, performance, and publishing. Sibelius automatically optimizes your score for iPad display, paying special consideration to page orientation, number of staves, margin sizes, and more.

Recommended System Requirements

-Intel Core 2 Duo or better (or equivalent)
-4+ GB of RAM
-40 GB hard disk space (SSD preferred)
-ASIO-compatible soundcard

Languages : English, French, German, Italian, Spanish, Japanese, Simplified Chinese, Brazilian Portuguese and Russian

Homepage : http://www.avid.com/US/products/Sibelius


Please Read Before Download

(Size: 1.24 GB)



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Sony ACID Music Studio 9.0 Build 32 Multilanguage



A complete home recording studio

ACID™ Music Studio is the best way to bring your music to life and share it with others. Now you can enjoy the freedom to interact with music creation tools at the skill level that’s right for you — no experience necessary! Our loops take the guesswork out of making great tracks, while our audio effects, MIDI functionality, and new workflow and performance features open the door to the world of professional music production.

Easy record and import
Your computer's audio input leads directly to ACID Music Studio — simply plug in your microphone or instrument and click Record. Import songs and MP3s for remixing, and use the Beatmapper tool to create remixes and dynamic DJ sets.

Studio-quality audio effects
Apply sophisticated signal and effects processes including élastique timestretching, EQ, reverb, delay, chorus, flanging, phase shift, and distortion. ACID Music Studio features VST audio effects support, as well as support for VST instruments, so you can play your MIDI tracks back through virtual instruments, filters, and effects.

Create new music with MIDI
Use powerful MIDI editing and sequencing tools. Record MIDI data from your favorite hardware controllers, or compose directly on the ACID Music Studio piano roll and drum grid interfaces. ACID Music Studio supports VSTi and includes 90 instruments for song creation.

ACID Music Studio 9.0 system requirements

* Microsoft® Windows Vista® 32-bit or 64-bit SP2 or Windows 7 32-bit or 64-bit
* 1 GHz processor 
* 200 MB hard-disk space for program installation 
* 1 GB RAM
* Windows-compatible sound card
* DVD-ROM drive (for installation from a DVD only)
* Supported CD-recordable drive (for CD burning only) 
* Microsoft DirectX® 9.0c or later

Languages : English, German, French, Spanish, Japanese

Homepage : http://www.sonycreativesoftware.com/musicstudio

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(Size: 98.67 MB)




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Avid Media Composer 6.5.2 (Win - 64 bit)




What is Media Composer?

Media Composer is the top choice for professional film and video editing in the industry. Whether you edit movies, TV shows, commercials, or other video, this industry-standard nonlinear editor provides 64-bit performance, easy-to-use video editing tools, and streamlined HD, file-based, and stereo 3D workflows. Its open platform enables you to work with the gear you have or want and integrate into any workflow. Plus, it’s designed to eliminate bottlenecks, enabling you to work faster than ever.

New features

Version and archive finished sequences with AS-02

With support for the AS-02 MXF mastering format through AMA, managing multiple versions of the same sequence is easy, as AS-02 packs everything into a single bundle without duplicating assets, saving storage space. Seamlessly move content between Avid and other systems that support AS-02. Use JPEG 2000, DNxHD, IMX, AVC-Intra, and uncompressed media in your AS-02 workflow. And because AS-02 is an open industry standard, you’ll eliminate time wasted on repackaging content.

Create master-quality archives with JPEG 2000

Encode and decode sequences—in mastering quality—using the JPEG 2000 codec, which helps preserve the quality of versioning and archival content in an AS-02 workflow. And because JPEG 2000 content offers resolution scalability and holds up over multiple generations when moving content across different vendors’ solutions, you gain future flexibility with archived content.

Export content using AMA

AMA makes it easy to access and edit file-based media without transcoding. Now you can use AMA to export files back to the media’s original source format for archiving or final delivery. AMA writeback is available for HDCAM SR, with more on the way as our partners update/develop their AMA plug-ins. And with new AMA Volume export support, you can create AS-02, JPEG 2000, DNxHD, AVC-I, and other file-based media volumes for roundtrip workflows, sharing, or archival.

Set and output AFD sequences

With new Active Format Description (AFD) support, you can create, edit, set, and deliver HD content, and rest assured that it’ll be presented optimally to your audience as intended—even when down-converted and reformatted to a different aspect ratio. Simply select an AFD code for a sequence, and your settings will carry through your output.

Relink clips using common metadata

Gain more freedom and flexibility to interact with media from other software applications. With advanced relink support, you can dynamically reconnect clips to the original or new media using a wide variety of common metadata fields—anything that’s being tracked.

Open up your workflow with hardware release

With the new hardware release control, which works with Avid and third-party I/O hardware, you can activate/deactivate your hardware—without disconnecting it—to access software-only features, such as full screen playback mode and audio project settings options. You can also share your third-party hardware and monitor between Media Composer and other applications without quitting or rebooting software.

Work faster with advanced audio keyframing

Save time when editing soundtracks. With new audio keyframe enhancements, you can now copy, paste, cut, move, and adjust audio keyframes—including groups—anywhere on the timeline. You can even delete those hidden audio keyframes that can occur as you trim a clip, with just a click.

Mix up to 64 audio voices

Monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools, the Media Composer family of products offers the best built-in audio tools for video editors than any other NLE.

Plus:- Edit titles directly from the timeline
- Automatically relink to all AMA QuickTime files

System requirements

For optimal performance and reliability, be sure that your computer or laptop meets the following minimum system requirements for Media Composer.

- Computer: Avid-qualified Windows-based computer
- OS: Windows 7 Professional SP1 (64-bit) 
- Processor: Intel Core 2 Duo 2.33 GHz processor or faster
- Memory: 4 GB of RAM (6+ GB recommended); 16+ GB of RAM recommended for Stereoscopic and other high performance workflows
- Graphics card: NVIDIA Quadro FX family3 (FX 560 or higher recommended)
- Internal hard drive: Minimum 80 GB 7200 rpm hard disk

Additional compatibility information- QuickTime: Avid has tested and qualified Apple QuickTime X for Mac users and QuickTime 7.6.9 for Windows users
- Windows Media Player: Microsoft Windows Media Player 11 is required to export certain formats and to work with VC-1 material

1.Uncompressed video on laptops is limited to one stream of uncompressed SD video, except for Windows-based Intel Core i7 laptops (Quad Core with Hyper-Threading) with eSata external storage, which can play multiple streams of 1:1 uncompressed SD.
2.NVIDIA cards are recommended; full-screen playback requires a minimum of 128 MB of graphics memory.

Language : English

Homepage : http://www.avid.com/US/products/media-composer#overview

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